Amias Hanley is an artist exploring auditory-led questions through sound, sculpture, and installation. These inquiries often attend to queer ecologies and transgender studies, generating site-responsive, speculative encounters that offer sonic propositions for engaging composite forms and conditions. Their recent work investigates the mechanisms and channels used by plants, animals, and machines to interpret and produce mimetic signals, examining the artistic possibilities and influence of acoustic mimicry on auditory cultures and communications. ​

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Their artworks, installations, and collaborative projects have been shown internationally with organisations, festivals, and galleries including: Ars Electronica Festival, Avantwhatever Festival, Dilston Grove, Gertrude Contemporary, Latrobe Regional Gallery, Liquid Architecture, McClelland Sculpture Park Gallery, MESS (Melbourne Electronic Sound Studio), Speak Percussion and The Substation. Their research has been published in the Unlikely Journal for Creative Arts, Journal of Intercultural Studies, Disclaimer Journal, and the III International Conference on Sonorities Research (CIPS).